Tag Archives: Hunger Games

Now Put Those Two Hands Together

11 Apr

Yesterday’s post was about The Hunger Games and my story board using Blake Snyder’s Save the Cat method.

Last night I found the two combined — a beat sheet created by analyzing The Hunger Games. Very useful and fun! But don’t look at it if you haven’t read the novel — spoilers (by necessity) abound.

P.S. — I asked Mr. Untitlement to read the first volume last night. He started it after 8:00 and could barely put it down, although he had a perfect excuse to do so — tired and wanting to relax with his beer. At one point, he muttered, “You’ve made it very difficult to go to bed.”

I fell asleep.

Around 11:30, I heard him drop the book and leave the room. He said, “I have to stop reading.” I thought it was because he was going to bed.  A short while later, however, the light clicked back on. He strode to the book and grabbed it, grimacing. Said, “I’ve calmed down now. I can read again.” He finished it at 1:30 then read my blog entries, Samantha’s review, and the Hunger Games beat sheet.

I love my husband. He’s better than a thousand Peetas.

May the Beats Be Ever in Your Favor

10 Apr

Jennifer Lawrence will play Katniss Everdeen in the upcoming film

Okay.

A little embarrassed by my fangirl squeeing over Hunger Games last weekend.

But…

Yes…

I read the whole damn series again this week.

Josh Hutcherson as Peeta

In my defense, this time I was reading it with a critical eye, looking for technical elements — how she set up the plot, her sentence structure, et cetera. I’m still amazed at how well she grabs the reader and never lets go, not for an instant. There’s always a sense of peril. Safe times are found only in retrospect, in that, “Okay, I guess it really was okay after all,” kind of way. But you don’t believe it at the time because everything and everyone is suspect. Blake Snyder talks about how a character’s goals and stakes must be primal at their root — love, survival, hunger, protection, sex… It doesn’t get much more primal than this!

It took me until the second book to realize the story was written in present tense. Unbelievable. That’s usually something I notice in the first paragraph and have to grit my teeth to get past.  She executed it perfectly, I think, and it could not have suited the anxious, fast-paced immediacy of the story better.

On second reading, I was equally engrossed. Only in the third book did I start skimming. Exposition galore. Necessary, though, I suppose. We’re in a new place with new rules.

I do wish the last bits of the series were a little more fleshed out instead of summarized, but I guess it couldn’t go on forever.

M. Howalt — you asked in the comments last week what made the series compelling. My friend Samantha wrote an excellent post on the series here. Check it out. I agree with everything she says (and am clearly still fangirling because I got happy chills reading the title of her article, heh).

***

In my personal realm, I remain a foggy-headed, migraine-laden hermit. Gotta snap out of that somehow, someday.

But, hey, it hasn’t been a total waste. Besides falling in love with a series (which is such a great feeling), I also managed this:

My novel! All in one place! All the pieces! (Although some are vague [solves problem] or drawn in broad strokes.) Redoing  the major beats on red cards was a treat. I’m an office supply junkie and a visually-oriented person. The red cards make it feel concrete and prove to me that it’s not all an amorphous smear of a cloud. It has the bones! Look! Right there! 😉

Look at Act One — so many cards. Look at the second half of Act Two, so few cards. Not that big a deal, I think. The second half of Act Two is where I’ve drawn in broad strokes, labeling major elements. I think I pretty much  wrote the entire first act on the cards up there! Lots of details that don’t need to be there. I’m still figuring all of this out, though.

The pirate ship was already there, an unintentional metaphor for how my sons like to shoot cannons of distraction at me at all hours of the day.